
Hitomi’s Week Two SHAPE + FORM Study Notes
‘A FRESH LOOK AT SHAPE & FORM’ (Week Two)
compiled by Hitomi Gilliam
Companion text to Hitomi’s second Mentor Session, which can be watched via the following link - https://www.youtube.com/watch?v=2iwrT3RI-tA
My Add-on References:
Rikka – The Soul of Japanese Flower Arrangement (1976) by Fujiwara Yuchiku, Translated by Norman Sparnon
IKEBANA – Spirit & Technique (1980) by Shusui Komoda and Horst Pointner
IN REVIEW…. of the first set of shapes explored
Study of Circles
Geometry made up of curving lines, ARCS
Continuous fluid lines
Can shift in direction smoothly
Emphasis on soft
CIRCULAR INSPIRATION with emphasis on similarities
IN PREVIEW…. of the next set of shapes to explore
Study of Angles
Geometry made of straight lines changing direction abruptly
Disruptive lines
Emphasis on hard and sharp
ANGULAR INSPIRATION with emphasis on differences
Angles are pointed – have distinct direction and force
ANGULAR SHAPES: TRIANGLE, SQUARE, RECTANGLE, PYRAMID, CUBE…
2D Shapes/Silhouettes
3D Forms/Complete figure
1.1 FLOWER FORM (SHAPE) ANGULAR
Physiology of petals, buds, foliage, stem
Clematis has pointed petals – more angular
Clematis has pointed buds – more angular
Strelitzia bloom… petals and total form shape is very angular, a collection of triangles
Ornithogalum inflorescence with its very pointed bud at the top appears triangular, conical
In 2D, a triangle In 3D a cone, a rounded triangle
Alocasia leaf (especially ‘Polly’ variety) appears 2D and its silhouette is pointed & triangular
Oxalis leaflet is triangular shape (2D)
Heliconia bracts individually are scalene triangles, combined into a whole silhouette= triangle
Pandanus when cut straight across its width, makes a long isosceles triangle
Leather Fern with its leaflets when pressed flat (2D) is triangular=similar to side profile of tree
Pandanus vine flower (Freycinetia excelsia) is triangular overhead shape
3 petalled flower – triangular
Trillium grandiflora
Tradescantia occidentalis
Tigridia
3 sided stem – triangular core
Carex utriculats – Sedge within the Cyperaceae family
Schlumbergera cactus and Euphorbia
1.2 DESIGN SHAPE (GEOMETRIC DESIGN FORM or Silhouette)
ANGULAR SHAPES
TRIANGLE and Variations
SQUARE and Variations
Every other multiple sided shape are made up of triangles
Even a piece of pie or pizza is a triangle with one rounded side.
The CUT makes it a man-made shape
OPEN FORM
CLOSED FORM
1.4 ART & FLOWERS
Painting is an art form based on application of pigment on canvas
FRAMED in a rectangle shape and exhibited made it extra important.
This was my early impression on the power of Framing… square/rectangle surrounding a composition brought extra interest to what was within.
Also creating a sculpture (3D structure) as a start to flowering…. approach the structure building as
‘build the Art’. Make this the Reusable containter/structure to keep for its artistic value, to Reduce the amount of materials that go to the landfill, and to Reduce the making of the same structure again.
Why did I start in floristry as a minimalist?
I am of Japanese heritage, with Japanese aesthetics ‘Less is More’ thinking.
Its not about the decorative volume of flowers….. that is a Western concept.
‘You can tell the direction of the wind with one blade of grass’
Or here is a haiku with a different perspective…
When I lie in the grass
near Musashi
The tiny flower
seems larger than Fuji
1.5 IKEBANA – Ikebana Triangle
There are 3 basic components or insertions in an Ikebana design discipline – 3 levels of existence
SHIN Heaven highest point
SOE Man mid-level existence
HIKAE Earth lowest level in respect to the planet
Man must live in harmony between the given 2 bodies.
Must stay in balance, and not overtake
They represent the 3 levels (lengths of stems and direction) within an Ikebana design
Depending on the specific school of Ikebana, either Heaven is most important, or Man
The source of inspiration is dictated by the medium used (botanicals) and its placement is NATURE generated. The better trained your hands are to respond to the need of the botanicals and its ability to show its beauty, or its flaws – it is by nature’s design. Nature dictates whether the design speaks the truth or false. Nature’s Law – Principles of Design.
With 3 RADIAL linear stem insertions from binding point (KENZAN OR KUBARI)
Creates a 3 point design (open form)
Creates 3D spatial design adding dimension (depth) and volume to the design.
Overhead view creates an implied triangular positioning (3D dimension), a microcosm.
There are different direction or proportions to configure different balancing act.
Upward/Vertical
Horizontal/Diagonal
Downward/Cascading
The balance act is relative to the binding point (kenzan) in relation to the container.
It is a triangle on point…. Different from a lazy triangle resting on its side.
It is far more dynamic emerging from the point, like a ballerina on her toe.
There’s elegance by its precariousness… yet it is the point of growth as in a growing plant – radially designed.
1.7 WESTERN LINE TRIANGULAR DESIGN
It’s the typical Triangle Design which is taught in North America and elsewhere where it has popularized.
It is a lazily positioned triangle….. meaning it rests on one of its 3 sides. It is static.
The shaping of a traditional Triangular Design is totally man-made shape.
It is totally a decorative design in that every stem insertion is made to MAKE the Shape.
The length of the stems are dependent on creating the contour of the shape… made to fit.
It is a contrived design of man’s choosing. Un-Natural.
Equilateral
Right Angle
Isosceles
Scalene
It is as man-made as trimming the boxwood hedge into a perfect rectangle.
Upon quick glance…. It is a rectangle shape
Upon further inspection… it is cubic
As is with triangle….
It is made into the triangle shape…. by establishing the vertical axis and radiating away from it in creating the perfect trimmed shape.
The back wall stays more or less flat and is not the viewed side.
The front side may have some depth as it builds down and out in a slight slope, but overall, it tends to be flatter than volumetric.
It is a design perfect to be placed on a ledge.
The FAN design is a perfect example of flat profile design, almost 2D in shape.
The triangle design can often be closer to 2D than 3D…. taking the living out of the flowers.
1.6 Physiology or the Mechanics of Construction
It takes 3 legs to make a table stand up.
The 4th leg is just extra support, or insurance.
Canopy of trees are supported by multitude of crossing lines – which makes angles, you see a lot of triangles.
Cross braces to strengthen a rectangle….makes 4 triangles, makes it rigid and stronger
The flat roof does not cave in if there are cross beams which are cross-hatched to make them stronger, each one of them.
Best building blocks breaks down to TRIANGLES. Triangles do not break down.
Every round shape can be broken down into angular graphics… like origami.
Points become the convergence of lines (fold) so they become the support point (of strength).
The hard graphics of angles and angular shapes become the support structure of a design…. or the armature. Hard graphics is math, the multiple sided shapes, like pentagon, hexagon, octagon are all made up of triangles and are the building blocks of science and mathematical calculations…by Nature’s design.
BUILDING WITH TRIANGLES…. Your Reusable Building Components for Design Structure.
REPETITION OF TRIANGULAR FORM for building Sculptural Form to Flower.
Another option to Sustainable Mechanics…. to add to Chickenwire forms
Or combine the two to support the weight of water in the tubes.
Static Triangular Structure – building on its side – bring the weight of the design to rest
Dynamic Triangular Structure – building on its point – bring the weight of the design in balance
IN SUMMARY…. In comparison…… about varying degree of CONTRAST
From opposition, difference to similarity
EMOTION OF ANGLES
Pointed/Sharp
Direct
Harder edge
Dramatic
Disruptive
Abrupt
Threatening
Dynamic/Active
EMOTION OF CURVES
Rounded/Dull
Meander
Softer edge
Calm
Harmonius
Smooth
Safe
Static/Still